Francesca Southerden
Fellow & Tutor in Italian; Professor of Italian
Professor Southerden’s main area of research is in medieval Italian literature, particularly the works of Dante and Petrarch and early lyric poetry.
Academic background
Francesca Southerden holds a BA (Honours) in Italian and French from Somerville College, Oxford and a D.Phil in Italian literature from Hertford College, Oxford. Before joining Oxford she was Assistant Professor of Italian and Medieval-Renaissance Studies at Wellesley College, MA (2010-16) and Mary Ewart Postdoctoral Research Fellow at Somerville College (2007-10).
Research
Francesca Southerden’s main research interests are in medieval Italian poetry, particularly Petrarch’s lyric poetry and Dante’s Commedia. Her most recent book, Dante and Petrarch in the Garden of Language (Legenda, 2022), explores the significance of the garden for Dante and Petrarch’s thinking about language and desire and how the authors reimagine Eden in their poetic works. This book develops, within a medieval context, the concern with the relationship between desire, subjectivity, and poetic space that was at the heart of her first monograph, Landscapes of Desire in the Poetry of Vittorio Sereni (Oxford University Press, 2012). She recently co-edited, with Manuele Gragnolati and Elena Lombardi, The Oxford Handbook of Dante (Oxford University Press, 2021) and, with Manuele Gragnolati co-authored, Possibilities of Lyric: Reading Petrarch in Dialogue, with an Epilogue by Antonella Anedda Angioy (ICI Berlin Press, 2021). She is interested in the relationship between literature and critical theory, including affect studies, ecocriticism, and queer theory, and in lyric studies from the Middle Ages to the present day. Her current projects, which include both collaborative and single-authored projects, involve ecological and comparative ways of thinking (with) medieval poetry.
Teaching
Francesca Southerden teaches a broad range of topics within medieval Italian literature – including Dante, Petrarch, and Boccaccio, and thirteenth-century lyric poetry – to undergraduate and postgraduate (MSt and MPhil) students. She regularly supervises DPhil students in Italian, many of whom are working on interdisciplinary projects in medieval studies. In addition to being Professor of Medieval Italian at the University of Oxford, and Fellow of Somerville College, Professor Southerden holds the post of Lecturer in Italian at St Catherine’s College and at Lady Margaret Hall. Prior to Oxford, she held the post of Assistant Professor of Italian and Medieval-Renaissance Studies at Wellesley College, MA (2010-2016).
A list of publications can be found on Professor Southerden’s departmental page.
Publications
Monographs
Dante and Petrarch in the Garden of Language (Cambridge: Legenda, 2022)
Landscapes of Desire in the Poetry of Vittorio Sereni (Oxford: Oxford University Press, 2012).
Co-authored books
The Possibiities of Lyric: Reading Petrarch in Dialogue, with an Epilogue by Antonella Anedda Angioy (Berlin: ICI Berlin Press, 2020), co-authored with Manuele Gragnolati
Co-edited books
The Oxford Handbook of Dante, co-edited with Manuele Gragnolati and Elena Lombardi (Oxford: Oxford University Press, 2021)
Desire in Dante and the Middle Ages, co-edited with Manuele Gragnolati, Tristan Kay, and Elena Lombardi (Oxford: Legenda, 2012).
Recent Articles and Chapters in Books
‘Petrarchan Metamorphoses: Temporality and Desire in Tasso, Shakespeare, Sor Juana, and Khalvati’, co-authored with Manuele Gragnolati, forthcoming in The Oxford Handbook of Italian Literature, ed. by Stefano Jossa.
‘The Voice Astray: Caroline Bergvall’s Dante’, postmedieval: a journal of medieval cultural studies, 15.1 (March 2024), 87-117.
‘Ad modum floris: Petrarch’s Narcissus between the Rerum vulgarium fragmenta and Triumphi, MLR, 119.1 (January 2024), 89-113.
‘Becoming Laurel: Openness and Intensity in Petrarch’s Rerum vulgarium fragmenta 23 and 228’, co-authored with Manuele Gragnolati, in Openness in Medieval Europe, ed. by Manuele Gragnolati and Almut Suerbaum (Berlin: ICI Berlin Press, 2022).
‘The Lyric Mode’, in The Oxford Handbook of Dante, ed. by Gragnolati, Lombardi and Southerden (Oxford: Oxford University Press, 2021)
‘Dante Unbound: A Vulnerable Life and the Openness of Interpretation’, co-authored with Manuele Gragnolati and Elena Lombardi, in The Oxford Handbook of Dante, ed. by Gragnolati, Lombardi and Southerden (Oxford: Oxford University Press, 2021)
‘Parlare e lagrimar vedrai insieme’, in Citar Dante [Espressioni dantesche per l’italiano di oggi], ed. by Irene Chirico and others (ETP Books, 2021)
‘From Loss to Capture: Temporality in Cavalcanti, Dante, and Petrarch’s Lyrical Epiphanies’, co-authored with Manuele Gragnolati, in Medieval Temporalities: The Experience of Time in Medieval Europe, ed. by Almut Suerbaum and Annie Sutherland (D.S. Brewer, 2021)